Modern Art Invasion

Author: Elizabeth Lunday
Publisher: Rowman & Littlefield
ISBN: 149300073X
Size: 46.74 MB
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The story of the most important art show in U.S. history. Held at Manhattan’s 69th Regiment Armory in 1913, the show brought modernism to America in an unprecedented display of 1300 works by artists including Picasso, Matisse, and Duchamp, A quarter of a million Americans visited the show; most couldn’t make sense of what they were seeing. Newspaper critics questioned the artists’ sanity. A popular rumor held that the real creator of one abstract canvas was a donkey with its tail dipped in paint. The Armory Show went on to Boston and Chicago and its effects spread across the country. American artists embraced a new spirit of experimentation as conservative art institutions lost all influence. New modern art galleries opened to serve collectors interested in buying the most progressive works. Over time, the stage was set for American revolutionaries such as Jackson Pollock, Mark Rothko, Roy Lichtenstein, and Andy Warhol. Today, when museums of modern and contemporary art dot the nation and New York reigns as art capital of the universe, we live in a world created by the Armory Show. Elizabeth Lunday, author of the breakout hit Secret Lives of Great Artists, tells the story of the exhibition from the perspectives of organizers, contributors, viewers, and critics. Brimming with fascinating and surprising details, the book takes a fast-paced tour of life in America and Europe, peering into Gertrude Stein’s famous Paris salon, sitting in at the fabulous parties of New York socialites, and elbowing through the crowds at the Armory itself.

A Social History Of Modern Art Volume 2

Author: Albert Boime
Publisher: University of Chicago Press
ISBN: 9780226063362
Size: 74.61 MB
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In this second volume, Albert Boime continues his work on the social history of Western art in the Modern epoch. This volume offers a major critique and revisionist interpretation of Western European culture, history, and society from Napoleon's seizure of power to 1815. Boime argues that Napoleon manipulated the production of images, as well as information generally, in order to maintain his political hegemony. He examines the works of French painters such as Jacques-Louis David and Jean Auguste Dominique Ingres, to illustrate how the art of the time helped to further the emperor's propagandistic goals. He also explores the work of contemporaneous English genre painters, Spain's Francisco de Goya, the German Romantics Philipp Otto Runge and Caspar David Friedrich, and the emergence of a national Italian art. Heavily illustrated, this volume is an invaluable social history of modern art during the Napoleonic era. Stimulating and informative, this volume will become a valuable resource for faculty and undergraduates.—R. W. Liscombe, Choice

The New Media Invasion

Author: John David Ebert
Publisher: McFarland
ISBN: 0786488182
Size: 77.42 MB
Format: PDF, Docs
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From the 15th century until the mid-1990s, media based on the printed word--books, magazines, handbills, newspapers, and journals--dominated society. Today, an onslaught of digital media centered on the Internet is developing at a breathtaking pace, destabilizing the very idea of printed media and fundamentally reshaping our world in the process. This study explores how Internet entities like Amazon, YouTube, Facebook, Wikipedia, and Google, and gadgets such as digital cameras, cell phones, video games, robots, drones, and all things MacIntosh have affected everything from the book industry an.

The Digital Invasion

Author: Dr. Archibald D. Hart
Publisher: Baker Books
ISBN: 1441241698
Size: 73.88 MB
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In the world of technology, there are just two kinds of people: digital natives and digital immigrants. Digital natives are those born after the advent of the internet. They are comfortable with swift technological change and take the presence of technology in their lives almost completely for granted. They have "digital DNA" flowing through their bodies. On the other hand, digital immigrants are those born before the advent of the internet. Their comfort level with our technology-soaked world is more variable. But they are affected by the digital invasion just as much as their native children. With the latest research supporting them, Dr. Archibald Hart and Dr. Sylvia Hart Frejd uncover both the subtle and the dramatic ways digital technology is changing us from within, focusing their exposé on the impact on the spiritual life of individuals. Through insights from neuroscience and psychology, they offer readers therapeutic and biblical strategies for handling the digital invasion in order to become good stewards of their digital lives. Parents, educators, students, counselors, and pastors will especially appreciate this cultural wake-up call.

Invasion Of Privacy

Author: Kevin M. Keenan
Publisher: ABC-CLIO
ISBN: 1851096302
Size: 53.63 MB
Format: PDF, ePub, Docs
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An authoritative analysis of one of the most revered rights of peoples and cultures around the world—privacy. * A chronology of important moments in the development of the right to privacy from the 17th century to the present * Primary sources include a brochure from the Center for Democracy and Technology about the USA PATRIOT Act and a reproduction of a "Bust Card" created by the American Civil Liberties Union

Manet And The Execution Of Maximilian

Author: John Elderfield
Publisher: The Museum of Modern Art
ISBN: 9780870704239
Size: 25.31 MB
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The execution of Emperor Maximilian of Mexico, in 1867, was the subject of a quartet of paintings by the French Impressionist and early Modernist Edouard Manet. These works are rarely shown together, and in fact cannot be seen in their entirety, since one of them exists only in fragments, but the three intact paintings and the surviving elements of the fourth are reproduced in this publication, and will be shown at The Museum of Modern Art's exhibition in the fall of 2006. Maximilian's death was an event of great public interest in France, in part because French policies shared the responsibility for it. A European aristocrat of the Hapsburg family, Maximilian had been installed in 1864 after a trio of European powers, led by Napoleon III of France, mounted an invasion of Mexico to reclaim debts upon which the Mexican government had suspended payment. But Napoleon soon withdrew, abandoning Maximilian to his fate at the hands of a resurgent Mexican army. As news of the execution reached Paris, Manet reacted with a group of works synthesizing the information as it came to him and drawing heavily on an earlier painting inspired by violent political events, Goya's "The Third of May." In addition to analyzing and documenting the creation of these works, John Elderfield, in his text, clarifies their historical importance in the context of modern art, and in so doing, offers a capsular history of the place of current events in art.

The Armory Show At 100

Author: Marilyn S. Kushner
Publisher: D Giles Limited
ISBN: 9781907804045
Size: 71.76 MB
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A groundbreaking re-examination of the seminal 1913 New York art show.

The Fourth Dimension And Non Euclidean Geometry In Modern Art

Author: Linda Dalrymple Henderson
Publisher: Mit Press
ISBN:
Size: 73.32 MB
Format: PDF, Kindle
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In this groundbreaking study, first published in 1983 and unavailable for over a decade, Linda Dalrymple Henderson demonstrates that two concepts of space beyond immediate perception -- the curved spaces of non-Euclidean geometry and, most important, a higher, fourth dimension of space -- were central to the development of modern art. The possibility of a spatial fourth dimension suggested that our world might be merely a shadow or section of a higher dimensional existence. That iconoclastic idea encouraged radical innovation by a variety of early twentieth-century artists, ranging from French Cubists, Italian Futurists, and Marcel Duchamp, to Max Weber, Kazimir Malevich, and the artists of De Stijl and Surrealism. In an extensive new Reintroduction, Henderson surveys the impact of interest in higher dimensions of space in art and culture from the 1950s to 2000. Although largely eclipsed by relativity theory beginning in the 1920s, the spatial fourth dimension experienced a resurgence during the later 1950s and 1960s. In a remarkable turn of events, it has returned as an important theme in contemporary culture in the wake of the emergence in the 1980s of both string theory in physics (with its ten- or eleven-dimensional universes) and computer graphics. Henderson demonstrates the importance of this new conception of space for figures ranging from Buckminster Fuller, Robert Smithson, and the Park Place Gallery group in the 1960s to Tony Robbin and digital architect Marcos Novak.