Black Women And Popular Culture

Author: Adria Y. Goldman
Publisher: Lexington Books
ISBN: 0739192299
Size: 13.95 MB
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With the emergence of popular culture phenomena such as reality television, blogging, and social networking sites, it is important to examine the representation of Black women and the potential implications of those images, messages, and roles. Black Women and Popular Culture: The Conversation Continues provides such a comprehensive analysis. Using an array of theoretical frameworks and methodologies, this collection features cutting edge research from scholars interested in the relationship among media, society, perceptions, and Black women. The uniqueness of this book is that it serves as a compilation of “hot topics” including ABC’s Scandal, Beyoncé’s Visual Album, and Oprah’s Instagram page. Other themes have roots in reality television, film, and hip hop, as well as issues of gender politics, domestic violence, and colorism. The discussion also extends to the presentation and inclusion of Black women in advertising, print, and digital media.

Erotic Revolutionaries

Author: Shayne Lee
Publisher: Government Institutes
ISBN: 9780761852292
Size: 33.32 MB
Format: PDF, Kindle
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Why is there no 'pro-sex' contingency in black feminist scholarship? Why do so few African-American scholars expound on issues celebrating female sexual pleasure? Perhaps the answers to these questions reside within a discursive matrix of sexual repression commonly referred to as the politics of respectability, and its rein on black sexual politics. In Erotic Revolutionaries: Black Women, Sexuality, and Popular Culture, sociologist Shayne Lee steers black sexual politics toward a more sex-positive trajectory. Introducing feminist analysis to a conceptual mZnage ^ trois of scripting theory, media representation, and black sexual politics, Lee considers the ways in which the feminist quest for social and sexual equality can delve into popular culture to see the production of subversive scripts for female sexuality and erotic agency. Whereas most feminist scholarship underscores how sexual representations of black women in media are exploitative and problematic, Lee portrays black female celebrities like Janet Jackson, BeyoncZ, Karrine Steffans, Zane, Tyra Banks, Juanita Bynum, Sheryl Underwood and many more as feminists of sorts who afford women access to cultural tools to renegotiate sexual identity and celebrate sexual agency and empowerment. Erotic Revolutionaries navigates the uncharted spaces where social constructionism, third-wave feminism, and black popular culture collide to locate a new site for sexuality studies that is theoretically innovative, politically subversive, and stylistically chic.

Erotic Revolutionaries

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Publisher:
ISBN:
Size: 53.64 MB
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Why is there no "pro-sex" contingency in black feminist scholarship? Why do so few African-American scholars expound on issues celebrating female sexual pleasure? Perhaps the answers to these questions reside within a discursive matrix of sexual repressio.

Disco Divas

Author: Sherrie A. Inness
Publisher: University of Pennsylvania Press
ISBN: 9780812218411
Size: 56.38 MB
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The 1970s tend to be allocated a slender role in American cultural and social history. The essays in Disco Divas reveal that the 1970s, far from being an era of cultural stasis, were a time of great social change, particularly for women.

African Americans And Popular Culture 3 Volumes

Author: Todd Boyd
Publisher: ABC-CLIO
ISBN: 0313064083
Size: 41.88 MB
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The African American influence on popular culture is among the most sweeping and lasting this country has seen. Despite a history of institutionalized racism, black artists, entertainers, and entrepreneurs have had enormous impact on American popular culture. Pioneers such as Oscar Michaeux, Paul Robeson, Satchel Paige, Josh Gibson, Langston Hughes, Bill Bojangles Robinson, and Bessie Smith paved the way for Jackie Robinson, Nina Simone, James Baldwin, Bill Russell, Muhammad Ali, Sidney Poitier, and Bill Cosby, who in turn opened the door for Spike Lee, Dave Chappelle, Dr. Dre, Jay-Z, Tiger Woods, and Michael Jordan. Today, hip hop is the most powerful element of youth culture; white teenagers outnumber blacks as purchasers of rap music; black-themed movies are regularly successful at the box office, and black writers have been anthologized and canonized right alongside white ones. Though there are still many more miles to travel and much to overcome, this three-volume set considers the multifaceted influence of African Americans on popular culture, and sheds new light on the ways in which African American culture has come to be a fundamental and lasting part of America itself. To articulate the momentous impact African American popular culture has had upon the fabric of American society, these three volumes provide analyses from academics and experts across the country. They provide the most reliable, accurate, up-to-date, and comprehensive treatment of key topics, works, and themes in African American popular culture for a new generation of readers. The scope of the project is vast, including: popular historical movements like the Harlem Renaissance; the legacy of African American comedy; African Americans and the Olympics; African Americans and rock 'n roll; more contemporary articulations such as hip hop culture and black urban cinema; and much more. One goal of the project is to recuperate histories that have been perhaps forgotten or obscured to mainstream audiences and to demonstrate how African Americans are not only integral to American culture, but how they have always been purveyors of popular culture.

Black Cultural Traffic

Author: Harry Justin Elam
Publisher: University of Michigan Press
ISBN: 9780472068401
Size: 29.69 MB
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Black Cultural Traffic traces how blackness travels globally in performance, engaging the work of an international and interdisciplinary mix of scholars, critics, and practicing artists.

Black Women S Bodies And The Nation

Author: Shirley Anne Tate
Publisher: Palgrave Macmillan
ISBN: 9781137355270
Size: 24.84 MB
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Black Women's Bodies and the Nation develops a decolonial approach to representations of Black women's bodies within popular culture in the US, UK and the Caribbean and the racialization and affective load of muscle, bone, fat and skin through the trope of the subaltern figure of the Sable-Saffron Venus as an 'alter/native' (Truillot, 2003). Enslavement, colonialism and settlement in the metropole created the Black woman's body as both other/same and deeply affective whether read as fear, disgust, contempt or fascination. Her body draws attention to the negotiations through which the semblance of consensus on the citizen body is created at the same time as Black women's bodies as Sable-Saffron Venus alter/natives rupture the collective body formed through the (re)iteration, (re)interpretation and (re)presentation of the meanings of muscle, bone, fat and skin. This dismantling of body norms reveals other modes of being through disalienation's (Césaire, 2000) refusal of the racial epidermal schema (Fanon, 1967).

Mediating Blackness Afro Puerto Rican Women And Popular Culture

Author: Maritza Quinones-Rivera
Publisher:
ISBN:
Size: 40.28 MB
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In my dissertation I discuss how blackness, femaleness and Puerto Ricanness (national identity) is presented in commercial media in Puerto Rico. National identity, no matter how differently defined, is often constructed through claims to heritage, "roots," tradition, and descent. In the western world, these claims, almost inevitably allude to questions of "race." In Puerto Rico, it is the mixture of the Spanish, the Taino Indian, and the African, which come to epitomize the racial/traditional stock out of which "the nation" is constructed, defended, and naturalized. This mixture is often represented by images, statues, murals across the island that display the three racialized representatives, as the predecessors of the modern, racially mixed Puerto Rican people. In their portrayals of black women, figures as Mama Ines (the mammy) and fritoleras (women who cook and sell codfish fritters), Caribbean Negras (Black Caribbean women) contemporary media draw upon familiar representations to make black women bodies intelligible to Puerto Rican audiences. In this dissertation I argue that black women are challenging these images as sites for mediating blackness, femaleness, and Puerto Ricanness where hegemony and resistance are dialectical. I integrate a text-based analysis of media images with an audience ethnographic study to fully explore these processes of racial and gender representation. Ultimately, my project is to detail the ways in which Black women respond to folklorized representations and mediate their Blackness by adopting the cultural identity of Triguenidad in order to establish a respectful place for themselves within the Puerto Rican national identity. The contributions from the participants of my audience ethnography, as well as my own experiences as a Triguena woman, demonstrate how Black women are contesting local representations and practices that have folklorized their bodies. The women who form part of this study also responded to the pressures of a nation whose official stance is that race and racism do not exist. In addition, I present global and local forces, and in particular commercial media, as means for creating contemporary Black identities that speak to a global economy. By placing media images in dialogue with the lived experiences of Black-Puerto Rican women, my research addresses the multiple ways in which Black identities are (re)constituted vis-a-vis these forces.

Women Of Blaxploitation

Author: Yvonne D. Sims
Publisher: McFarland
ISBN: 0786451548
Size: 29.91 MB
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"This study examines ways blaxploitation heroines reshaped the presentation of African American actresses on screen and the perception of African American females in general. It discusses the social, political and cultural context in which blaxploitationf

Contested Images

Author: Alma M. Garcia
Publisher: AltaMira Press
ISBN: 0759119635
Size: 42.14 MB
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Contested Images: Women of Color in Popular Culture is a collection of 17 essays that analyze representations in popular culture of African American, Asian American, Latina, and Native American women. The anthology is divided into four parts: film images, beauty images, music, and television. The articles share two intellectual traditions: the authors, predominantly women of color, use an intersectionality perspective in their analysis of popular culture and the representation of women of color, and they identify popular culture as a site of conflict and contestation. Instructors will find this collection to be a convenient textbook for women’s studies; media studies; race, class, and gender courses; ethnic studies; and more.